Kamahl

This is the year when the Vietnam War ends and terrorists take over the West German embassy in Stockholm. On TV, Staffan Westerberg's "Vilse i Pannkakan" coincides with Ingmar Bergman's "The Magic Flute". Despite the cold war, the USA and the Soviet Union take the opportunity to meet - in space! And Davis Cup tennis is played in Båstad. Sweden meets Chile and the police fear riots. This and much more in "The year was 1975" by Jonas Fohlin and Eva Tillberg.

Arriving at a party after being hit by a meteor, a nervous man (Trevor Jamieson) seeks to confront his brothers about their tumultuous past, but things don't quite go according to plan.

The odd biography of Harvie Krumpet, a man who has Tourette's Syndrome, chronic bad luck, menial jobs, nudist tendencies, and a book of "fakts" hung around his neck - but still optimistically lives own way and enjoys the small things life has to offer.

Imagine a world where everyone is smiling and laughing. It's a wonderful, wacky and whimsical world. It's a Wiggly, Wiggly World! Join Greg, Murray, Anthony and Jeff as they welcome many friends from around the world who've come to share their own special styles of music. Aussie country music legend Slim Dusty will be there. So will Tim Finn from Crowded House and Split Enz with some fun-filled songs for children. And thanks to Dorothy the Dinosaur and Captain Feathersword, there will be plenty of Wiggling. Welcome to the Wiggly, Wiggly World! of The Wiggles.

Set in 1901, the film follows the progress of Constable Peterson (Matthaei) on his quest to bring an Aboriginal man (Kamahl) to justice under the White Man's law. Having heard of a killing that took place under tribal law, Peterson embarks on a mission to arrest the accused man with the help of Black Tracker Jubbal (Devereaux) and bring him back to Melbourne for trial. It is a journey of discovery for both Peterson and Jubbal. Jubbal finds himself caught between black and white society, eventually dying following a curse placed on him during a traditional bone pointing ceremony. Peterson is left to try take the prisoner back to Melbourne alone, but cannot negotiate the pitfalls of the desert without the help of his prisoner. During the latter stages of his return, Peterson begins to understand the folly of his mission, releasing the Aboriginal man to return to his people. Finally, the metaphorical journey out of darkness is the one made by Peterson.