Egons Dombrovskis

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

Renowned German organist Anna discovers her Latvian husband's involvement in a corruption scandal, shaking the foundation of their life together. Can she come to terms with this new reality about her husband?

An oil-stained motorcycle enthusiast seeks a place in the new world of green energy. His wife, a strong supporter of the philosophy of sustainable development, suffers from kidney failure. The spouses are no longer united by common values, but by the serious illness. Mechanic looking for ways to cover the cost of a kidney transplant gets sucked into the world of crime. At the same time, his wife Anna is developing a radically different view of the world around her. Will the heroes be able to find their way to each other?

Diana, a woman in her early 40s, struggles to end an abusive relationship with her husband while also trying to protect the only possession their family have left – an apartment in a luxurious part of the city. As the couple’s daughter Astra gets involved in the conflict, Diana will have to make a choice between Astra’s wellbeing and her own goals and convictions.

Alicija (33), a Polish-born liberal free-thinker, joins the Awakening movement in occupied Latvia. Her newlywed husband Ilgvars (53), a man with the experience of another generation, calls her to be more careful and cautious. With the support of a close friend, the poet Normunds (40), Alicija soon comes to the forefront of the Singing Revolution. However, alongside the first success, difficulties appear – Alicija receives an anonymous letter accusing Ilgvars of being a former KGB informant. His ambiguous answer leads to her wanting to find out the truth. Realizing that her husband’s actions in the KGB have affected the fate of her close friend, Alicija faces an unenviable choice. Torn by internal contradictions, she continues her work to restore the country’s independence, unable to find courage to resolve the situation. Alicija buries herself in her work and the emotional connection with her husband gradually fades away.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game.

A police officer and his family arrive at their countryside home in a grim mood and unexpectedly meet Santa Claus. The children drag Santa into their scheme to save the family, while their parents start preparing for the celebration, unaware that the friendly Santa is in fact an escaped prisoner.

A runaway bride, a young peasant, mysterious illusionists and a manic investigator become entwined in a murderous affair at a Baltic German baron's manor.

In one long take lasting nearly an hour and a half, three well-known Latvian actors re-stage scenes from renowned Soviet Latvian movies made under the Riga Film Studio. As they progress from film to film, their re-enactments lead them to discover the undeniably funny personalities and unbelievable circumstances under which these films were made. Blending documentary, theatre and fiction film, this is a comedy about the cinema and the actor, and a heartfelt homage to the Riga Film Studio.

Markuss must adapt to a new life living with his granny in the countryside. After Emīlija – a neighbor’s daughter – throws some contemptuous remarks about the boy’s father, Markuss decides to teach her a cruel lesson. This has severely negative consequences which resonate throughout the village. Forced to work the boy begins to harbor hatred towards the others in the village. The only person the boy can relate to is an old Sailor living in the nearby woods. They inspire one another and keep each other’s secrets. It is only through an accidental turn of events that Emīlija’s mother’s intended sanctions against Markuss and the boy’s reputation in the eyes of the inhabitants of the village radically change.