Aleksandr Sokurov (born June 14, 1951) is a Russian director of avant-garde and independent films that have won him international acclaim. Described as a heir to Tarkovsky, spare, gloomy and contemplative, he often blurs lines between image and world. His noticable trademark and style includes long, accurate shots of real painterly compositions, disorted field of view, zooms and use of wide angle...
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A portrait of Naum Kleiman — film scholar, historian, and sage. In conversation with him, a vast cultural landscape unfolds, where Pushkin meets Godard, Sokurov, Dionysius, Eisenstein, Snyders, Glass, Ozu, and many others. Kleiman reveals the simplicity of mystery, and in doing so, reveals himself.
A documentary grotesque in which even the walls speak. Famous directors of St. Petersburg cinema recall their lives and work, and images of old films come to life to remind the viewer of themselves.
Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.
Five years in the making, based on six lengthy interviews filmed on six different locations in Saint Petersburg, we meet an outspoken artist who covers here his entire life and prolific career. The locations were Sokurov’s own favourites, where he felt at home.
Documentary film from the set of Igor Olshansky’s debut short film “Easter”. Igor Olshansky is a participant of Alexander Sokurov’s programme “Example of Intonation”, a non-commercial film support foundation.
Yekaterinburg, Russia, July 17th, 1917. Czar Nicholas II Romanov and his entire family are brutally murdered by the Bolsheviks. This tragic event puts an end to the long dynasty that had ruled the country with an iron hand since the coronation of Michael I Romanov in 1613.
The film is dedicated to the life and work of the Russian director, who deservedly received worldwide recognition due to his incredible talent
Agnès Varda travels around the world to meet friends, artists and filmmakers for an expansive view of the global contemporary art scene.
The life stories of two elderly women living in a remote region of Kurdish Iraq.
This intimately narrated journey from Russia to Rotterdam, via rail, road and Finnish ferry, is a melancholy meditation on divinity, time and place in art, purpose (or its lack) and the loneliness of the soul. Passing through misty snowscapes, half-glimpsed cities and the icy night sea-swell.
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