Choi Eun-hee

The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.

Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.

Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)

"I'll Be Seeing HER" is an approach to images of women in Korean cinema with a new genre, ‘Fanta Docu’, which shows beautiful and adventurous Korean actresses in the 1950s. The director, Kim Soyoung stated that “studying and teaching Korean cinema history, I felt sorry that most documentaries on Korean cinema had been made from the male perspective,” which led her to make a documentary on Korean cinema through women’s eyes. Kim So young directed ‘Women's History Trilogy’ (Koryu: Southern Women, South Korea, I'll Be Seeing Her: Women in Korean Cinema, New Woman: Her First Song) which was screened at many international film festivals including Yamagata International Documentary Film Festival.

The plot is based on the Korean folk tale, The Tale of Chunhyang. Chunhyang falls in love with the upper-class Ri Mong-ryong, but they must marry in secret. Mong-ryong is sent away to become a government official. While he is away, Chunhyang is imprisoned by a corrupt governor. Mong-ryong returns just in time to save her from execution and the two can publicly proclaim their love.

Musical film based on the traditional story of the same name.

Set in Gando in the 1930s, a family hides a wealthy Chinese-Korean merchant while the father is killed in a fight between the Japanese police and Chinese bandits. The wife believes the communists are the cause of her husband's death.

Song Ryul returns to the countryside to see his ill father. After his cousin conspires with the Japanese occupiers to sell their crop, Song Ryul is forced to emigrate to Kando (Jiandao) in Manchuria. His family faces numerous adversities there and after a row with a local pharmacist, he is imprisoned. The prison is raided by Kim Il-sung and his guerrillas, who free the inmates, who take revenge on the Japanese by blowing up a railway.

Four short stories examing the lives of women in the last 18th and 19th century Story 1: 'Wives Should Be Submissive'--A father tries to marry his daughter into a wealthy family. Story 2: 'A Daughter-In-Law Is No Better Than A Stranger'--A woman thinks that her daughter-in-law has turned her son against her so she tries to kill the younger woman. Story 3: '7 Grounds For Divorce'--A wife begins an affair with her servant because of her husband's impotency Story 4: 'Prohibit Sex In Court'--A concubine's life is at risk when it is revealed that her infant child is not the king's.

A Manchurian Action movie modeled on George Stevens' "Shane."