Sei Ando

Based on the manga of the same name by Mamora Goda, a manga artist known for works such as Kirakira Hikaru, this human drama depicts a father who has no interest in his daughter and a daughter who has forgotten her father.

No plot available for this movie.

Shuichi and Rina are a twenty-something couple living together. Shuichi is working as a fiction editor for a book publisher, while Rina is unemployed, since she finds it hard to keep a job. When Shuichi's colleague runs away because of their terrible boss, Shuichi suddenly gets reassigned to work with Nishikawa, a stuck-up author who writes banal but popular self-help books. Rina gets hired to be his editor by complete chance, since Nishikawa ends up liking her out-of-the-box thinking. When Rina starts to succeed while Shuichi struggles, the problems in their relationship start to become apparent.

Watako has just lost her lover, Kimura, in a traffic accident in Tokyo. She decides to bury the trauma of this tragedy and carries on with her life with her husband. Although she puts on a facade for a while, the loss of Kimura has left deep marks, and she can't escape his memory any longer. She must now confront her grief.

Doughnuts MORI is a small doughnut store in Kagurazaka, Tokyo. The main character, Kimiko, works part-time at the donut shop in addition to her job as an illustrator. The customers who visit the store are all eccentric people. Kimiko's curiosity leads her to meddle in their lives, helping them and being reminded of them. Through her interactions with them, Kimiko comes to face herself.

Shinichi Tsuda, a Naoki Prize winning author, is working to publish his newest story. It revolves around Tsuyama, a driver for a call girl business in Toyama Prefecture, who comes across a mysterious counterfeit bill and has his life targeted by underworld kingpin Kurata. Is his story fact or fiction? His editor, Nahomi Torikai, decides to verify whether his latest work is mere fiction based on real-life experiences. She looks into a family that vanished, a post office worker who went missing, a shady load of cash, the whereabouts of the doves, and the fateful encounter from that night... A series of shocking facts are revealed from Tsuda’s stories. Why did the counterfeit money end up in Tsuda’s hands? What is the “ending” that Tsuda wished to portray?

In 1940s Japan, the wealthy head of the Inugami Clan dies, setting off a chain of bizarre, gruesome murders. Detective Kindaichi must unravel the clan’s terrible secrets of forbidden liaisons, monstrous cruelty, and disguised identities to find the murderer.

He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.

Although the situation is universal, Japanese mourning rituals are given solid coverage. The 49th day after death is considered crucial, as the date at which the soul passes from this world to the next and, therefore, the date from when the living are expected to get on with life. But Yoko doesn't move on. The ache of the loss that simply won't heal takes an awful toll on her husband and friends, who try doggedly and unsuccessfully to help her move on, and to guide her away from the misguided and damaging belief that daughter Kanako's spirit has entered another living child.

Even though Kumiko realizes that she won’t be able to patch things up with her former lover, she ends up preparing a meal for him. Though she lives only for going to the concerts of her favorite band, Mie curses her nonexistent luck when she’s forced to do overtime on the day of a concert. Although Tsuda somehow lives off of doing day labor, he does not have any friends and is unable to establish interaction with society. In his indolent lifestyle, Rikuo only knows how to express himself through violence. The clumsy lives of these characters intersect.