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Pierfrancesco Bargellini (Arezzo, 1940-1982), also known as Piero, bought his first movie camera when he was 20 and pointed it at his youthful passions: competition cars and motorcycles. A few years later he met Marco Melani, who became his cinema companion and an actor in his films. He started to make a name for himself in the world of amateur filmmakers and won a prize at the festival of Monteca...
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Images of everyday life in the family for Bargellini, his wife Oriana and little Rebecca alternate with others whose meaning is less clear (the crypt of a vampire, a flower that blooms).
Unfinished feature film by Piero Bargellini.
It exists only in a fragmented state.
A series of migrants who at times narrate and impersonate shards of myths, among them the Great Goddess, the Virgin of Bach’s Magnificat, the Sulamite of Stockhausen’s Song of Solomon (“I am black but comely”), tales by Herodotus, Kafka, Villon (as set to music by Ezra Pound). Third part of the Flower of Eryngium cycle.
A very young Marco Melani is divided between reading cinema magazines and watching car racing on TV.
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