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In a dystopian Buenos Aires where the State is in charge of assigning partners to the population to increase productivity, an official from the Ministry of Matchmaking does the only thing he is forbidden to do: fall in love.

A reconstruction of the artistic memory of the Biancos, Pelicoris, and Alonsos, a family interwoven with theater, film, and radio drama. Through the intimate puzzle piece that sisters Ingrid Pelicori and Irina Alonso piece together, the film rescues an essential legacy of Argentine cultural heritage and invites us to immerse ourselves in the golden decades of the 1940s through the 1970s.

Alejandro's 70th birthday unveils tensions and secrets within his gay/lesbian friend circle. Relationships evolve as truths about love, loss, and societal shifts emerge, exploring complexities that bind people together.

Rubén, a humble healer, attends to his patients with extravagant and disturbing healing techniques. With the appearance of Benjamín, he becomes more popular and gains a cult following. But that fame will end up being his own hell.

Javier, a plastic artist whose life goes by uneventfully, undertakes a strange project: to film his mother, an enigmatic and distant woman. He is not a filmmaker and improvises this task, which will bring an unexpected connection between the two.

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Rosario, 1926. Magdalena and Anna Scilko, along with a group of women from the old continent, arrive to the city with the hope of a better future, escaping the post-war period. But nothing will turn out as they had imagined. When they get off the ship they will be kidnapped by The Abramovs, a family that operates as a criminal organization, and manages the most important network of brothels in the city.

The story focuses on the life of a couple and their twin sons, one of whom begins to show that he identifies as a girl. From this, Gabriela, the mother, will try to understand the situation of her son who soon becomes a trans girl, thus beginning a struggle for the rights and gender identity of Luana , who will also have to face the rejection of her father Guillermo.

No plot available for this movie.

An Argentine theater company sets off on a tour of various towns in France, performing Anton Chekhov's The Seagull, directed by Daniel Veronese. The actor who plays Treplev—the writer in love with Nina—and Perroud, a young film director, record this trip. What begins as a travelogue transforms into a duel of viewpoints: that of Perroud's camera versus that of "the Actor who plays Treplev."
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