Andrea Schober

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered, and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. The film is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother, Lilo, in the 1970s.

A quiet, offbeat German dramedy about self-reinvention and the messy ways we try to escape ourselves. When a middle-aged woman decides to shed her old life and adopt the name “Harry,” her transformation unsettles family, friends, and lovers who can’t quite keep up. Blurring gender identity, midlife crisis, and dark humour, the film plays like a bittersweet character study — deadpan, gently absurd, and tinged with melancholy.

Six young men are disturbed by their girlfriends while looking for adventures in Munich after their discharge from the Bundeswehr.

Teenager Raphaela was born blind into a wealthy, material focused family. Her father escapes reality into an affair with his secretary while her mother reacts to the difficult situation in an over protective and possessive conduct towards her blind daughter.

Based on Annette Kolb’s autobiographical novel of the same name, THE SWING is a lavish, breathless reconstruction of life in Munich towards the end of the 19th century. The deceptively simple story centers around the Lautenschlags, a Bavarian-French Catholic family overflowing with artistry but short on practicalities like financial acumen.

Love and jealousy within a group of teenage friends.

A husband and wife lie to each other about their weekend travel plans, only to both show up at the family's country house with their lovers.

When 17-year-old Effi Briest marries the elderly Baron von Instetten, she moves to a small, isolated Baltic town and a house that she fears is haunted. Starved for companionship, Effi begins a friendship with Major Crampas, a charismatic womanizer.

Count Harro von Treuenfels is suspected of poisoning his wife. Griseldis von Ronach, his daughter's governess, falls in love with the count and sets out to find the real culprit.

Hans is a street fruit peddler and born loser. His choice of career upsets his bourgeois family, causing him to turn to drinking and violence. After recovering from a debilitating heart attack, his business finally begins to take off. However, the more he becomes a credit to his family, the more depressed he becomes.