Kazuyoshi Kushida

In a Japan of the near future, the government program Plan 75 encourages senior citizens to be voluntarily euthanized to remedy a super-aged society. An elderly woman whose means of survival are vanishing, a pragmatic Plan 75 salesman, and a young Filipino laborer face choices of life and death.

Matsunaga Yasuzaemon was a man called “Electricity Monster”. The post-war recovery and high economic growth serve as the basis for him to achieve the breakup and privatisation of the electricity business. As a follower of Fukuzawa Yukichi, he inherited the spirit of independence, self-respect and the people. He rose up alone from the ruins of the war. It was the fight of an unconventional, stubborn old man over 70 with an indomitable will. Minister of Trade and Industry Ikeda Hayato admired Matsunaga like a father while Prime Ministers Yoshida Shigeru and Konoe Fumimaro, Shirasu Jiro (Takagawa Yuya) and others were in awe of his unfathomable passion.

A retired samurai must redeem himself for a crime that he committed earlier in his life.

Riko Narumi plays an unpopular idol who in an attempt to boost her faltering career becomes police chief for a day. During the day a robbery occurs at a convenience store and instead of letting a real police chief deal with the robbery she decides to take the matter into her own hands.

Set in a small Nagano village in the 1930s, the film follows Hanji, a young boy captivated by a local kabuki performance. Inspired by Yukio, Hanji learns kabuki with Utako. As they grow, they become skilled actors, performing in a final kabuki before World War II. After the war, Hanji returns to revive kabuki and restore the community’s spirit. In the 1980s, as he nears death, the villagers organise a final performance in his honour, where he performs “Tenryu Koishibuki” for Yukio.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

Office drone Arisu finds his own life imitating the mystery novels of his favourite writer when his wife disappears and he finds he is being pursued by a sinister figure in a rabbit suit.

Naruse Uta is a "unique" 13 year old child. She possessed the talent to read sheet music even before she could speak, but has now come to the point where she hates playing the piano. Her father was also a piano virtuoso, but mysteriously disappeared from her life at a young age. Because of her father's disappearance Uta's mother had to move out of their posh home and into a far modest working class neighborhood. In this working class neighborhood there is a local grocer. The grocer's son Kikuna Oto happens to be a budding musician, but lacks the drive to truly succeed. That is until Uta Naruse comes into his life...

A young man awakens in the hospital after an accident wipes his memory. Fascinated by a textbook full of drawings of dissections, Hiroshi is drawn to medical school. There he catches the eye of a fellow student, but it's another who becomes his obsession: the dead woman on the cadaver table.

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.