
Richard Lester (born 19 January 1932) is an American-born British-based film director notable for his work with The Beatles in the 1960s and his work on the Superman film series in the 1980s.
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The Beatles stormed through Europe's music scene in 1963, and, in 1964, they conquered America. Their groundbreaking world tours changed global youth culture forever and, arguably, invented mass entertainment as we know it today. All the while, the group were composing and recording a series of extraordinarily successful singles and albums. However the relentless pressure of such unprecedented fame, that in 1966 became uncontrollable turmoil, led to the decision to stop touring. In the ensuing years The Beatles were then free to focus on a series of albums that changed the face of recorded music.

A very personal portrait of the truly unique comedy genius of Spike Milligan, as told in his own words and featuring exclusive home movie footage. With contributions from those who worked with him, lived with him and were inspired by him.

30 minute documentary about the making of the film Help! with Richard Lester, the cast and crew. Includes exclusive behind the scenes footage of The Beatles on set.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Documentary about actor Peter Sellers and one of his most memorable film roles.

A documentary on the making of the Beatles' 1964 film "A Hard Day's Night," featuring director Richard Lester, music producer George Martin, screenwriter Alun Owen, and cinematographer Gilbert Taylor.

Documentary about the life and career of a comic genius, Peter Sellers.

A tribute to Richard Lester, Philadelphia-born filmmaker who moved to England to direct the modern classics "A Hard Day's Night," "Petulia," and "Help!"

Spike personally tells the story of his life from India, World War II to The Goons and his Q series

Thirty years after A Hard Day's Night, its producer, director, writer and others describe its making. United Artists Records came to Walter Shenson, asking him to produce a movie so UA could issue a soundtrack album. Shenson signed Lester to direct, and they got the Beatles to agree to star. Shenson sent Owen to Dublin to spend time with the Fab Four; from this came a script built around their being prisoners of their own success. Phil Collins, himself an extra on A Hard Day's Night, hosts this examination of a seminal film: what was ad-libbed, why was it a hit, what was its influence on other movies, and how did it define the way the public viewed each Beatle for years to come?
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