Sterlin Harjo (born 14 November 1979) is a member of the Seminole Nation and has Muskogee heritage. He was raised in Holdenville, Oklahoma and attended the University of Oklahoma, where he studied art and film. He received a fellowship from the Sundance Institute in 2004. His short film, Goodnight, Irene, premiered at the 2005 Sundance Film Festival and received a special jury award at the Aspen ...
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Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.
Writer producer Donick Cary (The Simpsons, Parks and Recreation, Have a Good Trip, etc.) has been a huge fan of the Washington D.C. pro football team since before he could walk. Passed down from his dad, he was excited to pass the tradition onto his kids. Donick never questioned the team name and or Native American logo until one day, while watching a game, his 9-year-old son, Otis, asked him if it was racist. When Otis suggests they ask Native Americans how they feel, it sends the two on a cross-country journey full of unexpected surprises.
Indigenous people have been misrepresented in film since the beginning of the Classic Hollywood Era, and people believe that Native Americans have vanished. We Are Still Here.
This film is an intimate portrayal of pioneering filmmaker Merata Mita told through the eyes of her children. Using hours of archive footage, some never before seen, her youngest child and director Hepi Mita discovers the filmmaker he never knew and shares the mother he lost, with the world.
Native American actor Martin Sensmeier travels to San Juan County, Utah, to investigate the controversy over the Bears Ears National Monument. While there, he learns how the fight over the monument is just one more battle in a long-running war between the county's Native American citizens and their Mormon neighbors over who will control the future of the county. His journey reveals how voting rights denied by the Mormons have led to the marginalization of their Native neighbors and learns about the long history of looting of sacred archeological sites in the county.
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