Miloš Miša Radivojević is a Serbian television and movie director, and a professor at the Faculty of Dramatic Arts, Belgrade. Miloš started his higher education as a philosophy student but eventually graduated in 1966 from Faculty of Dramatic Arts in Belgrade in 1966, as one of the first students of Aleksandar Saša Petrović with the medium length film Adam & Eva 66. He worked as assistant director...
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The film is about the director and screenwriter, Milos Misa Radivojevic, who has maintained his position as a radical filmmaker and one of the most important representatives of art cinema in the Yugoslav and European context since the “black wave” period until today.
Four legendary Yugoslav film directors talk about their careers, capitalism, sex, life, death and revolt.
This documentary was inspired by the artistic life of Serbian actress Sonja Savić. Being a wonder child, a star of Yugoslavian cinematography, a sex symbol, and urban legend of the eighties generation, a fighter against establishment, Sonja Savić had always attracted attention. Simply put, she always looked, spoke and thought differently from others, she was entirely autonomous, an authentic phenomenon of Serbian culture. In the documentary SONJA, friends and colleagues of Sonja Savić testify on many aspects of her life and work, and a special emphasis is put on Sonja’s libertarian, rebellious, Don Quixote type of nature.
Two girls swear their former boyfriends and sent two demons Strahinja and Lola to take them. Strahinja must deliver the main heroes of this world or, by the decision of the judge of the Dark Vilayet, be returned to the unpleasant state of death. The four stories that make this omnibus film, follow main characters which Lola and Strahinja should pick up. Each of them tries to avoid death. You will see how the sanguine, phlegmatic, melancholic and kolerik cope with the death officers.
Old writer Mihailo tells his dying wife a story about lovers and romances set in different seasons. In order to keep her alive, he talks about other people's romaces, but these are supposed to revive their own love story. The heroes of his stories are couples of different age who let go into frivolty of kisses and delicate game of seduction. Mihailo's wife does not like the stories at all because there is no true moral in it - they keep running around in circles. Mihailo decides to tell a new story that should please her. The heroes of the story are young Milos and Mila. Purified by previous experience the two of them move through idealized city scenes, freed from foul play and cheating-it looks like true love can still be found.
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