Boro Stjepanović

The history of Bosnian cinematography over 75 years of existence.

Family Susic lives everyday Bosnian story. Father Muhamed (63) is employed in a reputable company; mother Marija (60) is retired. Son Sasa (35), who spent the war in Army of Bosnia and Herzegovina, lives with his parents, while their daughter Senada (40) lives in Slovenia. Their life begins to fall apart because of father's dissatisfaction after his company is sold on the stock exchange, Sasa's negligent attitude towards work and family, Marija's breast cancer diagnose. When problems begin to line up Muhamed and Sasa realize that actually only family is important, that it is man's last oasis

Zeko, a barber and ex-soldier suffering from Post-Traumatic Stress Disorder, invites his brother Braco and his friend Švabo to Eid festivities. He intends to take advantage of the festive mood and ask his brother, a gambler and alcoholic, to change his ways. Braco doesn’t want to listen and will not take the conversation seriously. Zeko puts a razor under his brother’s neck, forcing him to promise he will change; furious, Braco leaves, telling Zeko he will never see him again, while Švabo suggests that Zeko see a psychiatrist. Alone, without his only friend and his brother, Zeko decides to kill himself – until Muki, a young man selling books door-to-door, stops him.

People from the city, working to prepare for a new road, come to one underdeveloped Montenegrin village where they encounter the locals.

The war has ended. Villages of Bosnian Croats have been destroyed, and they are living in the homes of the Croatian Serbs. An old man, a Bosnian Croat, disappears. A policeman Filip, himself living in a Serbian home, investigates the case uninterestedly. Through the relationship with his father, Filip tries to understand the motives of the missing old man. As the film moves towards the end, Filip’s investigation becomes more and more personal.

Winder is an antiwar drama, the kind, tragicomic way, the story of the famous, seemingly old-fashioned, but often love among family and friends, who in this adaptation is set out as a national form. The film tells about two well-men, Misula (Boro Stjepanovic) and Puja (Ljubomir Bandovic), contradictory attitudes and opinions which, in everyday disputes, revealed apparent mutual hostility and indifference, but also a joy to be doomed to a life together. Misula in this respect the embodiment of the old sages, and the apprentice's Pujo naive hasty hedonist. While glossed over planes and bomb Serbia, these two ordinary man, coincidentally ignorant of the events, marathon busy digging wells to a sardonic but humorous way, dissolve pitful weight and personal lives. Besides well-men unaware of the historical moment and one Valjevo village lives almost bizarre, peacetime everyday, until the sound of explosions killer time approaching.

When a passive young businessman is conned and thrown into great debts, he and his mother concoct a desperate escape plan - to fake his death, stage a funeral, then hide him out in the attic. When he sneaks out to visit his girlfriend, he is spotted by the neighbors, who jump to the conclusion that he is a vampire risen from the dead. It's not long before the news of a lurking vampire attracts waves of tourists, including some mobsters who aren't completely sold on this whole vampire story.

A man who lost his memory finds himself in a small town cafe. The waiter and two guests, a blind woman and a journalist, all try to help him find out his whereabouts by sending him to the police station. Meanwhile they discuss whether the stranger is a scoundrel or does he really have amnesia.

A man who decides to divorce from his wife goes to lawyer. However he quickly changes his mind in the office, which annoys the lawyer who then tries to separate them.

One day in the lives of the Belgrade tower’s tenants, whose destiny is never going to be same from then on.