Mira Stupica

The Parade, in a tragicomic way, tells the story about ongoing battle between two worlds in contemporary post-war Serbian society - the traditional, oppressive, homophobic majority and a liberal, modern and open-minded minority... The film, which deals with gay rights issues in Serbia, features footage of the 2010 Belgrade gay pride parade. The film introduces a group of gay activists, trying to organize a pride parade in Belgrade.

A collection of seven stories "from the block," linked by the theme of the seven deadly sins, humorously portrays the everyday life of New Belgrade's inhabitants, who are consumed by their minor foibles and guided by their passions. While pride, sloth, envy, wrath, greed, lust, and gluttony are biblical sins, they seem almost ridiculous in contemporary times when set against the backdrop of civilization's far more severe challenges.

After the end of World War II, a young partisan falls in love with a German secretary who is captured and imprisoned by partisans. He decides to free her and escape with her.

As a young woman, Klara left her hometown in disgrace. Now she is old and unimaginably rich, as for the first time she returns. The town is nearly bankrupt and in urgent need of money. Everybody hopes Clara will come to the rescue. And she will. However, there is a condition: somebody must kill the man who was her lover all those years ago.

A 1973 Serbo-Croatian-Italian language drama film directed by Matjaž Klopčič, starring Mira Stupica, Radmila Andrić and Dare Ulaga.

An adaptation of a well-known novel by Hungarian writer Lajos Zilahy.

Destinies of two friends-fighters during WW2.

When a warrior dies, a star is born, a company of us die when born to a group of stars. Small children are fascinated by ancient legends and stories of old people, people replace their signature ready to be shot and put yourself in front of the German pipe.

In 1947, among the ruins of war and in anticipation of a catastrophic flood, the locals of a Vojvodina village find themselves caught between the devastation of their livelihoods and the demands of the new Communist authorities.

Memory of the victims of the Kragujevac massacre is described through the events that are related to a group of boys, shoe shiners. At that time, thousands of workers refused to work for the invaders, and the whole city was exposed to harsh repression and persecution of innocent citizens and the abolition of the regular rations of food.