Dorothy Malone

An audiovisual essay on Douglas Sirk's film The Tarnished Angels (1957). Analyzes a central scene 40 minutes into the narrative, and also refers both backward and forward in order to show the film’s richly elaborated logic of part and whole, repetition and stasis, drama and entropy.

The stars and director of 'Written on the Wind' and 'The Tarnished Angels' talk about director Douglas Sirk's techniques. Archival interviews originally appeared in the documentary "Douglas Sirk: Uber Stars" (Eckhart Schmidt, 1980)

A documentary about the life of Errol Flynn, with recollections from friends and family.

Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered -- a crime she had described in her latest story.

A newlywed couple move into the mansion of the bride's recently dead aunt. Soon strange things begin to happen when the various tenants and servants of the mansion don't want to leave and the bride and groom are in a deadly predicament.

Another attempt to bring the 1960s primetime serial back to network television

Two couples face the possibility that their infant sons, both born on the same day, were inadvertently switched at the hospital, and a chain of revelations and decisions threatens both families.

Toxic waste dumping in a small Idaho town turns a young boy into horrible mutant monster. The town's police chief and a government scientist team up to stop the monster, which is quickly killing off the town's citizenry.

Douglas speaks about some of the stars he has directed, like Asta Nielsen, Lili Dagover, Zarah Leander, George Sanders, Signe Hasso, Barbara Stanwyck, Jane Wyman, and many others.

Deep in the desert, a rural American family is forced to endure a night of inter-dimensional, extra terrestrial terror when a UFO appears over their home.