Astrid Henning-Jensen

Despite its suggestive title, this multi-part Danish omnibus film is not a work of exploitation. Instead, it presents 20 different short films (back-to-back) on the general theme of Danish women, directed by filmmakers including Krzysztof Zanussi, Monika Treut, Gustav Hamos, David Blair, Vibeke Vogel, Dusan Makavejev, Morten Skallerud and Lars Norgaard. Some dramatic vignettes mix with other comedic ones, but all are offbeat and experimental. The picture includes one animated sequence (by Norgaard).

Benjamin act as a moral guardian as he saves both a female thief and a child during Christmas in a futuristic Denmark.

A youth film set in the summer of 1945, when the war in Europe has finally ended. For 17-year-old Herbert and his schoolmate Allan, their regular hangout is the Munich Inn, where Leo Mathisen's orchestra plays. The orchestra's drummer, Spjæt, is Herbert's idol, while Allan is more interested in the cloakroom attendant Anita than in the music. Herbert lives alone with his mother, who is a pianist. He has a job as a delivery boy at a grocery store, but supplements his income by trading on the black market. The black market goods, which can be sold at the München Kroen, are obtained in exchange for things Herbert has stolen from his mother or the grocer. Eventually, he even sells his mother's grand piano. A black American officer, whom he has befriended, intervenes when the business starts to go too far.

Inspired by tales from "Arabian Nights", with many a touch of magic, but primarily based on a book by Denmark's Ole Lund Kirkegaard, a master of the baroque stories for children, this adventurer takes the boy Hodja on a flying carpet outing. The boy wants to see the world and asks his girl-friend Emerald along. But an evil Sultan has his own designs on the carpet. Shot on Turkish locations with an extensive use of special effects.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Journal film about refugees in Sweden, Denmark and Norway in 1944.