Io Appolloni

The hypochondriac Sebastião and his not so normal family must save the country from the prime minister's plan of selling the country to China, Germany, France and Angola, and show that Portugal is not for sale.

Sonia, a girl from St. Petersburg, decides to seek a better life in Western Europe. She first gets a job at a car dealer in Germany. But she is suddenly kidnapped and sold into sexual slavery. She will be dragged from country to country and resistance will only bring her misery and humiliation.

Alexandra Lencastre plays a woman who believes she is President of the U.S.A.

Based on a the short story "Low Flying Aircraft" by J.G. Ballard and set in a near future where humans are dying breed. Judite and André flee to a semi-abandoned apartment complex to protect their mutant child from certain death.

Young Jesus is taken on a vacation by his parents (Rita Blanco, Adriano Luz) to a deserted beach resort. They accidentally fall into overnight wealth after Jesus digs in the sand, uncovering a large drug stash. Others characters intersecting here include an alcoholic actress, a philandering banker, a general trafficking in arms, priests who close their church and head north as hitchhikers, politicians who watch an all-girl production of Julius Caesar, and beggars who recite a children's story in a huge heap of trash.

This dark and intense drama follows the slow and painful destruction of a young, passive woman as she watches her family fall apart. Maria is the shy and dutiful daughter upon whose shoulders the family traumas have fallen. In addition to a regular job she cooks, cleans, and studies. Her parents offer no assistance as her father is blind, with a tendency towards violence when drinking. His wife, the focus of his violence is terribly unhappy. After a particularly brutal beating, Maria's brothers rise up against the father and end up leaving the home. It is up to Maria to try to bring the factions together. Maria's pressures increase after she calmly stabs her boss during an attempted rape, and then copes with her mother's suicide.

Lisbon, early 1940s. The neutral port town is an open door to freedom, for those who are escaping the Nazi occupied France and eastern European countries, and a war field for spies of every description. Lisbon became a cosmopolitan town, where the Duke of Windsor, Primo de Rivera, Pola Negri, Leslie Howard, Walter Schellenberg and Juan Garcia are often together in the luxury hotels and night-clubs. Espionage and crime go hand in hand, despite of, or encouraged by, the Portuguese secret police.

Hipólito is a self-made man, who went up in life in devious ways, and used for profit the social turmoil when Portugal changed from a monarchy into a republic, and then to a military regime. Finally, he is forced into exile. Back in 1935 to family, friends, and lovers, he is in a mix-mesh of lies, and scheming, again.

In 1974, not long after the death of Portuguese dictator Salazar, who had ruled Portugal from the early '30s to the late '60s, a group of disgruntled Army officers held a coup. They were even more disgruntled when they realized how the coup was being manipulated by leftist officers to instigate genuine elections and establish a constitution for the first time in Portuguese history. Though their intent was to form a radical socialist state, circumstances prevented this, and a genuine parliamentary democracy emerged. This film explores the circumstances of a right-wing businessman during those times. The man is an old-fashioned authoritarian, whose attentiveness to the needs of his mistress, wife and son is crude where it exists at all.

Once the boss started deducting a third of the workers' wages on the pretext that it was necessary to purchase new machines in order to compete, a group of workers went on strike, occupied the company, but were expelled from their workplace by the police. Out on the street, the workers think about the best way to make their comrades and the general population aware of the seriousness of their situation. They then decide, by mutual agreement, following the humorous tradition of cegadas and popular theater, to improvise a satirical performance in which they denounce some typical examples of capitalist exploitation. From the bandstand, which serves as their rehearsal stage, to the final procession, which unexpectedly takes on a different tone, the workers learn and teach us how scathing and uncompromising criticism of capitalist institutions can be transformed into a celebration of struggle, joy, and unity.