
Colette Renard (1 November 1924, Ermont – 6 October 2010, Saint-Rémy-lès-Chevreuse), born Colette Lucie Raget, was a French actress and singer. Renard is closely associated with the titular character from the musical Irma La Douce, a role she played for over a decade. Renard retired from theatre and film in the 1980s, returning in 2004 to play the role of Rachel Levy on Plus belle la vie. In addi...
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1940. Victor Leizer, a young Jewish boy from Belleville, takes to the road to join his parents. There he meets Bernard Mirande, another young boy. But after being captured by the Gestapo, he is sent to the camps, where he becomes Commandant Braumann's scapegoat. But his adventures are just beginning...

Young graffiti artist Tony and his friend Jockey jump-start an unexpected adventure on the streets of Grenoble, France, when they steal a car that's already occupied by an older man who's been sleeping in the back, Léon Marcel.

Clodo, a gentle mongrel dog, isn't having much luck. His shaggy appearance has earned him the name of hobo. Often scolded by his Parisian masters for being a nuisance, his only consolation is Cathy, his youngest daughter. Unfortunately, she can't stop her parents from abandoning Clodo at vacation time. Fabien, a young farmer, takes the dog in, despite the hostility of his family. Fabien is secretly in love with his childhood friend, Arlène, "la demoiselle du château", who has left to study in Paris. But she returns home after a disappointment. Their relationship resumes.

A butcher's boy, in love with the daughter of one of his neighbors, a penniless baron, finds himself in financial difficulties as he begins construction of a building on the land he has inherited.

A policeman and a serial killer play cat and mouse in an isolated mountain village in Nineteenth century France. The second film directed by the man who played the admirable lead role in Robert Bresson's A Man Escaped is a stylized and intense adaptation of a novel by Jean Giono. This police investigation in a 19th century village combines visual beauty with the rigor of the mise-en-scène—the vertigo of the criminal motivations indivisible from the refined graphics of the images.

Two women, Léa and Clotilde, with two men, Ludovic and Papillon, form a nice quartet of crooks. Their targets: pharmacists, diamond dealers, and gogos of all kinds who respond to enticing classified ads. Business is booming, but the police are watching. Commissioner Masson will eventually arrest them, but, ironically, for a matter of which they are totally innocent.

Martine is a young woman plagued both by poverty and by uncaring, problem parents who in no way can provide the kind of nurturing that Martine needs during her adolescent years. As a result of her family situation, Martine runs away from home and gets involved with a group of teens and young adults from the wrong side of the moral tracks.

Rich industrialist Jacques Decret learns his wife Gloria is having an affair with a young actor. For revenge, he bombards her with anonymous letters, convincing her that her lover is the culprit while Gloria desperately seeks a way out.

An aspiring singer tries to break into films during the early talkie era. She is hired to dub the singing and speaking voice of a silent-movie favorite. Sworn to secrecy, the fill-in must stand by in silence as the star receives all the praises and plaudits.
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