Folke Sundquist

A quick overview of Swedish film history, featuring a breathtaking cavalry of scenes from about 170 films.

Christer Berg dies in a car crash and is found with a teddy bear named "Bamse". His son, also named Christer finds out that Bamse belongs to his father's lover Barbro Persson. He tries to humiliate her, introducing her to his mother as his new fiancée. But he ends up falling in love with her, and she sees in him the memories of her dead lover. When she finds herself pregnant, they have to decide about their love affair.

While vacationing on a remote German island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

A Swedish scientist couple comes to a small African village to fight malaria.

A knight returning home with his squire Jons after a ten-year crusade to the Holy Land finds a country paralyzed by the Black Death, a newly burned witch, a blacksmith and his runaway wife, an actress, a Virgin Mary with her child and the knight's faithful wife. All approaches the realm of the dead in a single "tragicomic long dance of death". The narrator begins with: "In a church in southern Småland is our spectacle painted on the wall just to the right of the entrance to the porch. The unknown painter has on the church wall depicted a number of people in formal long dance toward death."

Someone is murdered. Who is the killer? Members of all star cast are all suspects...

Tragedy befalls Hanka, as her husband and father die fighting Austrian forces invading the Duchy of Warsaw in 1809.

Structured as six interconnected episodes, Rabies depicts cruelty as a contagious force: each character, wounded or humiliated, passes that violence on to another. Filmed for Swedish television, Ingmar Bergman’s adaptation of Olle Hedberg’s morality play presents human behavior as a relentless chain of transferred suffering.

A playful television adaptation of a Renaissance sex comedy in which two Venetian women compete for the attentions of a charming outsider during carnival. Deliberately theatrical and stylized, the film reflects Bergman’s interest in farce and performance.

A student and his love for a young woman, misunderstood by her father.