Fuzzy Knight

US Marshal Gid McCool leads a wagon train of convicted felons to Huntsville prison. The only female among the crooks is the dancehall girl Laura Mannon, McCool's former flame. When McCool cannot be swayed from completing his lawful duty, Laura tries to endear herself to shotgun rider Mike Reno in hopes he will set her free.

Preacher Sam Stone and his new beautiful wife Jill stand by the grave of Sheriff Billy Kelly, who died trying to bring law-and-order to Emporia, Wyoming. Among the mourners are businessman George Gates, mayor Ned West and his daughter Patricia. The mayor rejects Gates' suggestion that he release gunfighter Waco from jail to clean up the town. When Patricia is attacked by a cowboy after leaving her boyfriend Scotty Moore, the mayor finally decides it is time accept the governor;s offer of amnesty for Waco. Jill Stone's first reaction, when learning that Waco has been released, is to leave town before Waco finds out that she, his former fiancée, has married the town preacher while Waco was in jail. Town boss Joe Gore is not overjoyed, either, but Ike and Pete Jenner eagerly await the chance to shoot Waco for the death of their brother. Written by Les Adams

No plot available for this movie.

A drunken driver, his wife and a hitchhiker equals murder.

Tracy Powell, an Indiana farmer, gets the gold fever and heads for Stockton, California in 1849. There, he abandons his first partner, Bert Killian, and teams up with Sam Wilkins, a claim jumper employed by Willis Haver. Six years later, Powell returns to Indiana and his sweetheart, Julie. They marry and he tries farming again but, on the night their son is born, he takes off again searching for gold. This time he heads for the hills with an inveterate prospector, Jimmo McCann. A decade later, the two are still hunting for their big strike when McCann is killed in an accident. Powell returns home with news of a big strike but the deserted Julie will have nothing to do with him. His friend Killian will not believe him but Haver, now a banker gives him a small loan and then beats him out of his claim. Many years pass before he comes home, now sixty-years-old, and this time, his wife and son open their home to him. But he vows to go prospecting come next spring.

Bill Elliot emulates his idol William S. Hart in the superior western Topeka. Elliot plays the archetypal Good Bad Man, hired to kick the crooked element out of a small town. A hard-drinking, hard-living man, Elliot entertains thoughts of taking over the town himself for the benefit of his own gang. After several reels of soul-searching, Elliot decides to honor his promise to clean up the town for its decent citizens. Evidently director Thomas Carr rented a camera crane for this Allied Artists production, since the camera performs remarkable calisthenics, the kind not normally seen in a medium-budget western.

Vigilante Terror was one of the last of the "Wild Bill" Elliot westerns for Columbia. This time, Elliot comes to rescue an imperiled storekeeper. A band of masked vigilantes is laying waste to the countryside, and the storekeeper is blamed. Wild Bill saves the day by going undercover -- or under hood, as it were

A man in search of revenge infiltrates a ranch, hidden in an inhospitable region, where its owner, Altar Keane, gives shelter to outlaws fleeing from the law in exchange for a price.

Sach learns that he has inherited a farm in rural hillbilly country, and when he and the Boys arrive there, they find themselves mixed up with a hillbilly clan named Smith who'll shoot anybody named Jones, plus a gang of bank robbers.

A spunky storekeeper is determined to clean up corruption in her small town, as well as win the heart of the new sheriff. Comedy.