Zvonimir Rogoz

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

Melkior Tresic is one of many intellectuals in 1941 Zagreb who is helplessly waiting for the encroaching war.

Set in Dubrovnik, this drama chronicles a friendship between three men, that began just before World War II. One of the men is of Italian origin, another is the wealthy heir of a shipping fortune, and the third is the son of a Jewish antique-store owner. Before the war, they are fast friends, enjoying one another's company at carnivals and at a private fencing club. However, when the war comes, the Italians and Germans move in to create the Independent State of Croatia. The Italian friend becomes a fascist and courts and marries the sister of his rich friend. Soon enough, atrocities are being committed, and anyone suspected of Jewish or Serbian parentage or anti-fascist leanings, is killed.

This drama premiered in Zagreb in 1935. The plot shows a young man from a well-to-do bourgeois family facing the anger of his parents over his absences from high school, behind which stands his forbidden love with a girl of humble working-class background.

The action takes place in a village where police investigates a murder committed because of an accordion.

A young married woman Jelena finds about her husband's car accident from an unknown stranger named Vlatko, but also that he wants to be visited by his mistress rather than her. The encounter with her father, an ex-politician, will be another shock, but that's when she accepts Vlatko's courtship without being able to see his self-interested nature.

Two friends try to tear out their lives from the clutches of idle. An existential study of ordinary lives led by two alienated urban white collar workers, Accidental Life was the only feature film of Ante Peterlić, Croatian film theorist and film critic. The film received mediocre reviews and went largely unnoticed after its release, but has been reevaluated decades later as one of the best Croatian films ever made.

Every Sunday, lonely bachelor and refined judge Mladen goes to play chess with his friend, sculptor Fedji. Slowly, he engages in a love affair with Neda, Fedia's wife, and almost invisibly, a love triangle forms. Chess board is the central part of the film, as moves on the board reflect emotions of the characters.

Segment "Duga ulica" (A Long Street): A young man named Boris and a girl, Vera, live in the same neighborhood. They meet one night when she loses her key. Boris invites her to spend the night at his place; Segment "Čekati" (To Wait): Married students, Ivan and Sonja, live in an old woman's apartment. She is sick and the couple hopes that she will die soon, so that they may inherit her apartment; Segment "Poslije predstave" (After the Play): A husband and a wife lose the key to their apartment and have to spend the night in a hotel. The experience is wonderful and renews their feelings for each other, if only for a night.

The adaptation of Hans Cristian Andersen's tale filmed on a white background. It is also the first Croatian movie in color.