Yussuf Abu-Warda

Three religions. Two men. One mission. Ben has gone off into the desert. In order to escape the matchmaking attempts of his family in Jerusalem, he agrees to fly to Alexandria to save what was once the largest Jewish community in the world, which is desperately short of a tenth man to celebrate Passover. When Ben misses his flight and is subsequently thrown off a bus in the Sinai Desert, a grumpy Bedouin in search of his lost camel becomes Ben’s only hope.

Waleed (40) lives in Haifa with his wife and children and dreams of a writing career while suffering from chronic depression. He develops a close relationship with his neighbor (a small-time crook) with an ulterior plot in mind. While the scheme turns into an unexpected friendship between the two men, it leads them into a journey of dark encounters.

A breakdown on the way to the airport provides a father and son with an opportunity to reconnect.

With their father in prison and mother dead, three children from the West Bank are smuggled into Israel and taken to the house of their distant relatives, George and Rita, in Jaffa. Rita, who longs for a child, embraces them as her own but George is wary of the grave legal implications their actions might have. Meanwhile, a British film director recreates 1947 Jaffa outside George and Rita’s house. When their present-day reality meets the historical events that led to it, tragedy ensues.

Iman, a young newly wed Palestinian bride, is arrested and incarcerated in a top-security Israeli prison where she gives birth to a baby boy. As she struggles to survive and raise her child behind bars, she is torn between her instinct as a mother and the difficult decisions she must make, finding through her relationship with the other prisoners - both Palestinian and Israeli – the time and space to reflect, develop and mature as a young woman.

It is a time when Rome rules the world with the power of life and death in their hands. The province of Roman Palestine is a bubbling cauldron of rebellion and control. And on this greater canvas Luke, narrates a story of wonder, amazement and impact... The world is anticipating this moment in history but no one can imagine God touching His creation in the form of a little baby named Jesus. Much is recorded in the Gospels about Jesus' miraculous birth, to a young virgin named Mary, in Bethlehem, but little is known about his quiet growing up in Nazareth. Joseph, his adopted father, seems to have died well before Jesus turns 30 and begins his ministry.

Filmed in one sequence-shot of 1 hour and 25 minutes, Ana Arabia is a moment in the life of a small community of outcasts, Jews and Arabs, who live together in a forgotten enclave at the “border” between Jaffa and Bat Yam, in Israel. One day, Yael, a young journalist, visits them. In these dilapidated shacks, in the orchard filled with lemon trees and surrounded by mass public houses, she discovers a range of characters far removed from the usual clichés offered by the region. Yael has the feeling of having discovered a human goldmine. She no longer thinks of her job. Faces and words of Youssef and Miriam, Sarah and Walid, of their neighbors, their friends tell her about life, its dreams and its hopes, its love affairs, desires and disillusions. Their relation to time is different than that of the city around them. In this tinkered and fragile place, there is a possibility of coexistence. A universal metaphor.

A Palestinian family living in the north of Galilee gathers to celebrate the wedding of one of their daughters, as war rages between Israel and Lebanon. Internal conflicts explode between the family - secrets are revealed and lies are unmasked. The battles between different family members become as merciless as the outside war once their father falls into a coma and inches toward death.

Eager to provide a better future for her son, Fadi, divorcée Muna Farah leaves her Palestinian homeland and takes up residence in rural Illinois -- just in time to encounter the domestic repercussions of America's disastrous war in Iraq. Now, the duo must reinvent their lives with some help from Muna's sister, Raghda, and brother-in-law, Nabeel.

Two outcasts, a suicide bomber and an Israeli girl, fall in love during a desperate weekend in Tel Aviv.