Ginette Leclerc

Love & Sex under Nazi Occupation questions the burning mystery of intimate heterosexual and homosexual relations in times of war... and shows how being close to death reinforces the yearning for passion, for pleasure, for transgression, for desire as a last burst of freedom, as an ultimate call to life. Nearly two hundred thousands children are thought to be born of the union of French women with German soldiers. Women weren't the Germans' only conquests; indeed, occupied Paris swarms with all kinds of homosexuals—from Genet to Cocteau—who treated with the occupier. The fate of those women who were shaved at the end of the war for fraternizing with Germans is the punishment of a France that lied down and slept with the enemy.

The story is based around "spermulites", the alien inhabitants of a dying planet. The only way they can save their planet is by sucking the men of planet earth dry of sperm, kind of like horny vampires.

Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis

The Robinards form a family divided into two irreconcilable clans: the Léonce branch and the Sébastien branch. That day, the village of Boissy-sous-Saint-Yon was abuzz with activity: at the cemetery, the grandfather, Sébastien Robinard, was buried. At the same time, Marcel Robinard, a descendant of Léonce, was getting married in church. Not to mention a bicycle race and a parade. All these events collide.

All the inhabitants of an old house are swindlers, dreaming only of the big score that will enable them to survive an announced eviction. They end up pulling it off together, by building a fake tollgate.

Paul and Thérèse have sold their café on the outskirts of an airport to buy one in Marseille. The business is going well until they discover that their bistro is being used as a hub for drug trafficking. To stop the traffic, they reignite a gang war.

He is a sales rep. She is a secretary. They live in the suburbs but she works in Paris. They don't see much of each other and spend much of their time in commuter trains. They try desperately to change job locations to be more often together, but... The plot is not the important thing in the film ; what makes it emblematic of the early and mid-seventies is the insouciant atmosphere. The '74 oil crisis had not yet morphed into a recession, and life was good - even though it was as hard as ever to find a home near one's workplace (or the reverse) ! Marthe Keller and Jacques Higelin are both excellent. The movie is not an all-time great, but it captures the "zeitgeist" of French life in the Seventies.

1930. Adelaide is fed up with Paris and founds a 'retreat' for her women friends in a Breton port. They live well and take their pleasure seriously, until the attractive sailor Thomas arrives and nothing is ever the same again.

Hélène, a fragile and romantic teenager, discovers that her father, a rich business man, has a mistress. Curious, she decides to go and meet this woman who is described as strange. At the first chance she has she goes to her house in the Ramparts of Béguines... from then on she goes back often, discovering a new world of artists and nightowls where she also experiences love in the arms of Tamara.

A middle-aged couple moves into an old villa populated by eccentric characters.