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Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

Everyone in Paris thinks Fantomas is dead. A wave of extortion, blackmail and murder all point to the master criminal. Inspector Juve and his reporter friend Fandor set out to find the truth.

On the morning of January 30, 1889, the Archduke Rodolphe de Habsbourg and his mistress Marie Vetsera were found dead. The remains of Rodolphe are discreetly repatriated to Hofburg, while that of Mary is hastily thrown into the depths of a tomb.

Satire of publishing circles, featuring a ferocious boss, Moscat, a successful but handsome author, Maréchal, another successful but bitter author, Bourgine, a writer plagued with ambition, Brégaillon and the hero, Marc Fournier Zola Prize winner. Naive, the latter quickly becomes formidable, especially since his wife's infidelities have provided him with the material for a new novel.

Director Jean Delannoy's immediate followup to his brilliant Les Jeux sont Faits was the more conventional Aux Yeux du Souvenir (aka Souvenir and To the Eyes of Memory). The film is based on a true story, wherein an France airliner managed to survive a journey from Rio De Janeiro to Dakar with two of its engines incapacitated. To this already intensely dramatic situation has been added a romantic subplot involving Claire Magny (Michele Morgan) and Jacques Forester (Jean Marais). The love story adds very little to the film; fortunately, neither does it detract from the film's overall quality. As was the case with many French productions of the 1940s, Aux Yeux du Souvenir benefits immeasurably from the Wagnerian musical score by Georges Auric.

Stage actress Marianne has decided to give up her career to marry wealthy nobleman Marquis Antoine de Fontaines. As a wedding present, Antoine gives his future wife a precious diamond necklace, which is coveted by a gang of crooks. Jean, one of them, is given the mission to approach Marianne and steal the necklace from her. The only trouble is that when he meets her, she recognizes him as the man she once loved.

Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of love affairs. Passions come back, and jealousies... A bitter film about aging, failure and the entertainment.

Jeanne supports supports his family on his modest salary. Her boss is arrested for fraud. Jeanne is forced, out of poverty, in the street.

Now that their parents are ruined, Jacques Eyssette and his younger brother Daniel, are driven to fend for themselves. Jacques becomes the secretary of a marquis who exploits him by making him work so hard that his health gets damaged. Daniel, on his part, is hired as a supervisor and Latin teacher in a school in the province. It soon happens that he is in a bad situation too as, after being subjected to repeated harassment, he ends up being fired. Daniel then decides to join Jacques in Paris, hoping to embark on a literary career. Unfortunately, Irma Borel, an actress, sets her sight on him and drags him into a life of vice.

This murder mystery is set in a Parisian cafe and examines the mysterious murder of a famed journalist and extortionist who is killed at his table in the cafe. Though the prime suspects are gathered together( including his wife and her lover, the gun-runner, the creditor, and a playboy) and all of them have motives, none of them did it. So whodunit?
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