Elisa Lasowski

A lonely and desperate man no longer uses the precious gift that allowed him to heal people. Reluctantly, he agrees to help a woman and her young daughter who is tormented by nightmares of the end of the world. Together, on a freezing night, they face an anguishing darkness.

Mathieu, a member of the French institute in Irkutsk, is arrested overnight by the Russian authorities. Imprisoned and accused of sexual abuse on his own daughter, he realises he is a victim of a Kompromat. With the help of the FSB, someone has built up a case to frame him. Isolated, he has no one to turn to. Proving his innocence is impossible: the only solution is to escape.

Italy, WWII. After his anti-fascist mother is arrested, Mario spends his childhood on the streets. In 1947 they are miraculously reunited and start a new life in America. Based on the life of Mario Capecchi, 2007 Nobel Prize in Medicine.

An artificial intelligence escapes her spaceship to turn into a female ghost and challenges two blade runners to a galactic chase.

Three officers are tasked with escorting an illegal immigrant to Charles de Gaulle airport, where he will be forced onto a plane and sent back to his homeland. But when they find out about the truth, they have to make a difficult choice.

In an urban war zone where everything that moves is a target, Paul tries to live, love and inform.

A journey through the masterpieces and obsessions of the Genius of the Impressionism, down the River Seine, from Le Havre to Paris and then up the river towards Argenteuil, Poissy, Vétheuil, Giverny – ending in Paris. A tour of the Museums displaying Monet's masterpieces: the Orangerie Museum, the Marmottan Museum, the Orsay Museum, ending in Monet's house and gardens at Giverny.

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie. (Courtesy of Film Society of Lincoln Center.)

Everywhere he looks, Martin sees beauty, the beauty of an elderly couple in love, of a new life, of the woman across the cafe... Martin sees beauty everywhere, except in the mirror. Consumed by self-pity, he decides to take drastic measures to be part of the world from which he feels so excluded.