David Del Valle

Irving Rapper is, in many ways, Hollywood's forgotten man. After getting his start as a "dialogue director" at Warner Bros. in the mid 30's, he became synonymous with the studio's "women's pictures" and rose in prominence as one of Bette Davis's most consistent collaborators, including on her biggest commercial success, Now Voyager (1942). He was a rebel who led the studio in suspensions for chronically refusing to direct the scripts handed to him by the brass, waiting instead for material that better suited his interests and thematic preoccupations. He was also one in a secretive fraternity of gay directors who had to conceal their identities and shield their private lives from potential public ruination. Daniel Kremer takes you through an unexamined and misunderstood life of a man of great artistic inclination who expressed his innermost yearnings covertly through his work in motion pictures.

Perhaps at first glance, the filmography of Silvio Narizzano appears unremarkable. Thanks to his sleeper hit Georgy Girl (1966), he's known largely as a "one-hit wonder" director. Upon closer inspection, however, likely no other filmmaker used cinema as effectively to exorcise personal demons in ways both ugly and beautiful. And few directors' sensibilities were more gay, both overtly and covertly. Film historian Daniel Kremer is your tour guide through an obscure, perplexing body of work heretofore ignored and often unfairly shunned. Cruel, Usual, Necessary: The Passion of Silvio Narizzano is an essay documentary of discovery.

In the mid-1950s, Dickson Hughes and Richard Stapley, young composers and romantic partners, are hired by legendary silent film star Gloria Swanson to write a musical based on her film Sunset Boulevard, directed by Billy Wilder in 1950.

The greatest cult horror and science fiction films of all-time are studied in vivid detail in the second volume of Time Warp. Includes groundbreaking classics like "Night of the Living Dead," and "The Texas Chainsaw Massacre," and sci-fi gems such as "Blade Runner," and "A Clockwork Orange."

The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.

A detailed look at the history of horror anthology films.

Filmmakers and film historians discuss the original Fly trilogy.

To stop the Third Reich and the Nazi war machine from winning World War II and affecting the outcome of the free world, Toulon's indestructible puppets join forces with the masters of psychic powers.

The majority of films made before World War II are missing. They have rotted, or destroyed accidentally or on purpose. Horror classics like LONDON AFTER MIDNIGHT might be gone forever. Many other films are presently in danger of decomposition. LOST EMULSION tells that story, and the story of film restoration. Discover the plight of the lost films like the Edison Frankenstein, the work of Theda Bara, Lon Chaney, Wallace Reid, Joan Blondell, Raoul Walsh and more. Learn firsthand what The Library of Congress is doing to preserve our film heritage.

Rabbit has escaped the Evil Bong’s World of Weed, and has opened a topless bowling alley. When his old friends, Larnell and Sarah Leigh stop by to help him celebrate his wacky new business venture, the Evil Bong gets hot on his trail.