Bianca Doria

A priest helps the small town he's stationed in to resolve conflicts by working together.

In a small Scottish village, horribly murdered bodies keep turning up. Suspicion falls upon the residents of a nearby castle that is haunted by a curse involving a killer cat.

Luisa Latin, betrayed by her husband, is imprisoned for the murder of her husband's mistress - who is still alive. When Luisa is released from prison, she kills her.

A young American agent living in Rome meets with a beautiful Swedish translator.

The events in Naples of a few ‘figli della Madonna’ (Madonna’s sons), young people born between 1945 and 1946 from the relationship between the local women and Afro-American soldiers.

Though Genghis Khan eventually sought peace with the West, his death in 1227 AD puts into power his three war-like sons: Sayan, Susdal, and Kin Khan. These sons quickly overrun the city of Tuleda and take prisoner Princess Bianca, though young Prince Alessio escapes. Hercules comes to the rescue of Bianca, winning her freedom in a tournament in exchange for becoming a slave himself. Forces from the West soon come to re-take Tuleda and Hercules -- freed from his bonds -- helps to dispatch Genghis Khan's three sons while again saving Bianca and reuniting her with her young brother.

An industrial overpowered by debts decides to kill his creditor. Not having the courage to do it in person, he hired his former employee who needs money.

Tina, an old lady and detective stories buff, moves to town in the house of a god-daughter of hers whose husband is a private dick. She thinks she will be able to help him with his inquests. He does not agree with her and tries to discourage her by any possible means.

Legendary hero Siegfried uses a magic sword to fight a huge, fire-breathing dragon.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.