
Though born in Milan, Pelligrini grew to adolescence in Eritrea, attending Italian schools, before returning to Italy with her adoptive father in the 1970s.[1] She made her film debut in 1973 in Il brigadiere Pasquale Zagaria ama la mamma e la polizia but her career was launched by Pier Paolo Pasolini, who chose her for the role of Zumurrud in Arabian Nights (1974); she also appeared in Pasolini's...
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Roberto Razzi, skeptical and convinced atheist, is the conductor of the Futuro program, in which he unmasks the most common tricks and deceptions that make the miracle cry out to everyone.

A wife tries to deal with the recent death of husband and her rebellious daughter who is at constant odds with her. One day a friend of her deceased husband enters her life. The wife and her husband’s friend quickly form a bound which further puts her at odds with her daughter who sets her sights on seducing her father’s friend.

Four female convicts break out of prison, and during their escape they take hostage a bus full of young female tennis players. They drive the bus to the house of the judge who originally sent them to prison, where--since this is after all a women-in-prison picture--the hostages undergo various forms of physical and sexual abuse in various degrees of nudity.

An alien civilization, which facing eminent extinction, kidnaps two famous genetic scientists from Earth. A troop of soldiers is dispatched to combat the humanoid robots and rescue the victims.

Predictable parody of the legendary chapter of history of ancient Rome. The Orazi champions of the Central-South indolent clash with the Curiazi of Alba Longobarda, a hard-working northern city.

Three terrorists—a rebel girl from an upper-class family, a teacher who despises capitalism, and an ex-con with a taste for violence—come together to kill the Minister of the Interior and destabilise the government.

Annie, the mistress of a middle-aged financier, accompanies him on a trip to Hong Kong. When his business interests collapse Annie ends up destitute. She is befriended by a group of socialites and begins her rite of passage in their world.

In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.

Nicola Salluzzi is the owner of an insecticide company and his teenage son Simone has the habit of sleeping with his female employees.

A rich older man dies during a massage (you see, uh--never mind). His young widow (Lucrezia Love) decides she needs some male help in managing her deceased husband's estate (for some reason she doesn't ask the family lawyer who she spends all her time rolling around in the hay with), so she summons her younger step-brother to come stay with her and her "little stepdaughter" (Gloria Guida). Of course, Guida's character ends up being attracted to her new "uncle" and plots to get "his bird in her bush" by, among other things, arranging for him to witness a steamy lesbian encounter between her and a friend in a, uh, steam room. To resist this temptation, the "uncle" marries Guida off to another guy while he in turn marries her friend, but they still can't resist each other.
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