Felicity Devonshire

When Dr. Robert "Sweeney" Todd arrives to fill his post at a new hospital, he is shocked to see the lengths that the nurses go to in caring for their patients.

A young couple go on a picnic. During a walk, they run into the Grim Reaper, and it seems the couple are not all they seem.

Annie, the mistress of a middle-aged financier, accompanies him on a trip to Hong Kong. When his business interests collapse Annie ends up destitute. She is befriended by a group of socialites and begins her rite of passage in their world.

A university professor opens a sexual Pandora's box when he hands his class an assignment to explore their deepest carnal fantasies and desires. As the students begin to plumb their secret passions, they find themselves propelled into an erotic world where theory soon yields to practice.

A female film crew journeys to Africa where a giant ape, Queen Kong, falls in love with the crew's male star.

Paul Freeman (of RAIDERS OF THE LOST ARK fame) and Kate O'Mara plays a couple who can't have a baby, so they go to the doctor to have an artificial insemination...blackmail, dark secrets and drama ensue.

In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.

Sexploitation comedy about an aspiring artist. Alan and Sue switch roles: she goes out to work while he looks after the home and concentrates on his painting. However, he fails to anticipate the time-consuming attentions of various female neighbours.

Lobster fisherman David decides to seek his fortune in London where he finds lodging in a boarding house for girls.

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)