Barbara Cupisti

Spaghetti westerns, giallo, mondo... are the legacy of a golden age in Italian genre filmmaking, which began in the sixties and came to an end in the eighties, but not without leaving behind a few final masterpieces. This film explores, a few decades later, what became of those filmmakers and their films. A number of the most famous survivors of Italian horror movies will help to shed light on what happened.

A retrospective look at the making of Michele Soavi's "The Church" including interviews with cast and crew.

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

No plot available for this movie.

No plot available for this movie.

Antonio is a man born with unusually large incisors; his freakishly huge teeth made him an outcast as a child and as man he has become obsessive and controlling in his relationships with women. Convinced that his girlfriend cheated on him (with her dentist, ça va sans dire), Antonio insults her in a fit of anger and in the fight she breaks off one of his teeth. Antonio now must travel across the country, going from dentist to dentist in search of someone who can make a crown that will suit his extra-large smile.

In Parma, conversing with a CSM judge from Rome, the judge Bocchi tells what intrigues are hidden behind the beautiful and charming facade of the city, referring in detail to the latest and most 'chatted episode. It begins when Bocchi interrogates Giulio, a handsome and unassuming young man, for reasons of strangling, and invites him to collaborate with justice.

This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.

No plot available for this movie.

This rollicking Italian black comedy follows the hellish, bizarre New Year's Eve night of two average guys who find themselves stumbling from one outlandish situation to the next. After being dumped by his girlfriend, a man tags along to the party his friend is attending, leading to a series of misadventures.