Sofía Espinosa

Emina, a 28-year-old single mother, embarks on a desperate journey to save her 7-year-old son, Benjamín, who is battling cancer. Their destination is Creel, where they hope to find Edo, a 70-year-old Tarahumara healer residing in the rugged mountains of Chihuahua. This poignant journey reveals the depths of a mother's love and the lengths she will go to protect her child.

The owl has not seen the glass.

Sorority and friendship accompany the mourning of a mexican woman who lives in Estonia.

A woman has a crush with a coworker and makes a ritual to make him fall in love with her, but things got a little out of hand when she messes with forces no one can control.

In the late 1970s, a group of young cops lead by ex-musician turned detective Vicente Rangel will face the darkest minutes of their lives while attempting to catch a serial killer of young girls in a corrupt oil town in the Gulf of Mexico.

A place that seems out of time for everyday life, a long line of women waiting. And inside a room, three of them sitting... a cello piece transports them to their own experience of pleasure, body and eroticism. An exploration from a female perspective of the audiovisual and its ability to produce pleasure beyond narrative schemes. Female pleasure, liberation, feminism, gender, appropriation of the body, sexual freedom, women, cello, music, old age.

Karina and Emilia are two young novices who live in a religious order. Emilia has a deep and strong vocation while Karina is a youthful rebel who hides from justice behind the doors of the convent. Once she notices the police is increasingly closer, Karina asks Emilia to help her orchestrate an escape.

A lonely road stretches along the desert of Chihuahua, Lucia and her son Ismael driving through assuming that the pathway together is not over yet.

Fragments of a meteor crash in Mexico and United States. Thirteen stories in different spaces and times happen in places of collisions .

A young man from the suburbs of Iztapalapa in Mexico City is casted as the lead actor for a new film. When the film opens at the Berlinale, he is consterned about how European people views Latin American films just as a sort of misery porn.