Ernest Cossart

After four long years apart, there are so many things returning World War II soldier John Lawrence wants to tell his sweetheart, Mary McKinley. That he loves her. That he's missed her. And that he's married.

Cecily Harrington, struggling along on a small allowance, wins a fortune in a lottery. She decides to travel rather than marrying her fiance Nigel Lawrence. A stranger, Manuel Cortez, comes to rent her flat and she falls in love with him, and they are married. For their honeymoon, they go to an isolated English college where she, unlike the audience, doesn't realize she has married a fortune-hunting Bluebeard with a few murdered wives in his past. The question is will she be able to repent in leisure her decision to marry in haste.

At the turn of the 20th century, young Asa Yoelson decides to go against the wishes of his cantor father and pursue a career in show business. Gradually working his way up through the vaudeville ranks, Asa — now calling himself Al Jolson — joins a blackface minstrel troupe and soon builds a reputation as a consummate performer. But as his career grows in size, so does his ego, resulting in battles in business as well as in his personal life.

Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate.

This short--long rumored to have been directed by John Ford--was produced by the US government specifically for veterans returning home from World War II, showing them what their responsibilities as citizens were now that they were returning to civilian life.

An American girl falls for an RAF pilot while performing at a British music hall.

When a man asks another man more facile with words to do his wooing for him, there are always complications. The man with no talent for writing marries the girl, confesses one night he didn't write the letters and ends up with a knife in his back. The writer of the letters fell in love with the woman he wrote to and wants to become her second husband even if she did murder husband number one. Singleton doesn't remember the murder or anything about the first 22 years of her life as Victoria Remington. Then at her second wedding she wonders why she said "I take you, Roger," instead of "I take you, Allen."

Elnora Comstock lives on the edge of a great swamp and collects butterflies to sell in order to go to high school and pay for violin lessons. Her mother, Kate Comstock, hates her as she blames the girl for the father's death as he drowned in a quagmire on the way home the night the girl was born. The years-late revelation that the husband had been off courting a neighbor woman that night brings an attitude adjustment to the mother.

The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

Five young adults in a small American town face the revelations of secrets that threaten to ruin their hopes and dreams.