Sara Franchetti

Nina is 13 years old and has an incredibly messy family. She finds herself catapulted from the center of Rome in a suburban neighborhood: grey high-rises, boys on scooters and a funny grandmother who spends all of her time gambling on cards. A sudden encounter upsets everything, like a storm: she is 13 years old, lives in the opposite building, and dances the Lambada. Her name is Sirley, she comes from French Guiana and has an ambitious dream: to interpret the Madonna in the neighborhood procession. Between the two an intense, very strong bond is created. Their friendship will lead Nina to finally lose control, and to discover her place not only in the world, but in the heart of her family.

The film is about two worlds, different and parallel, living together in the same territory: the Gran Sasso of Italy. The contact between the two realities occurs through the characters of Max, a nuclear physics researcher who works tirelessly in the laboratory located in the belly of the mountain, and the shepherd Bajram. In fact, the shepherd walks on the physicist's head but neither of them knows it. Inside the laboratory the most advanced craft of mankind is being developed, above the mountain, on the other hand, there are poor immigrants doing the oldest work in the world. Gran Sasso is, according to the director, the synthetic image of globalization.

No plot available for this movie.

After the death of her husband Fausto, Stella decides to return to the house by the lake where she was born and where twenty years earlier she knew him, remaining conquered by the melancholy.

No plot available for this movie.

In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, but gets himself involved with the latter's former girlfriend.

During a television interview in which architect Simone Marini presents an ambitious project he will be in charge of realizing, he is recognized by a young man who, from that moment on, begins to stalk him, his wife, and their young son.

No plot available for this movie.

When Milanese salesman Piero witnesses the mob killing of a prominent magistrate, he testifies in court. The government puts him into the witness protection program, but the traumatic experiences he suffers leaves him wondering if he should have remained silent.

This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.