Aroldo Betancourt

Anthology film of classics police stories written and directed by Marcos Moreno

The streaming platform premieres ¡Ay Mamá!, a film that combines humor, nostalgia, and Christmas traditions, directed by Emil Zabala.

Sandra and Gerardo, a young newlywed couple, addicted to drugs and eager for easy money, are on their honeymoon, enjoying life and sex, they decide to buy a hotel. Over time the businesses does not go very well and they begin to get into debt, the consumption of alcohol and drugs increases, it gets out of control, the banks threaten to take everything from them, they get desperate; At that moment, coincidentally, Sergio appears, a reckless, adventurous, playful, good-looking criminal.

Eladio is a failed actor who has spent years in obscurity working maintenance at a TV station in the capital. When he’s forced to return to Maracaibo to care for his teenage niece —a fierce, guitar-playing rebel— their worlds clash. Amid loud music, insults, and generational conflict, Eladio accidentally reinvents himself as an acting teacher… and ends up entangled with one of the city’s most notorious crime syndicates. What follows is a hilarious, heartfelt, and uniquely Latin American story about rediscovery, family, and the absurdities of adulthood —at any age.

A rookie cop under great pressure decides to steal an armored truck to save his life and also to expose the corruption that exists in the City Hall. From that moment on, he becomes the Mayor's main prey, forcing him to flee with his family in order to save himself.

No plot available for this movie.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

The story of Diego, a young and successful photographer that lives in the glamorous world of fashion, shallowness and excess. A tragic accident turns his world around; his partner is now in a coma. Unexpectedly, and right at this terrible time, Diego must take care of his son, Armando. Now, both of them have to adapt to each other; Armando to the unknown, homosexual world of his father, and Diego to the closed attitude of his teenage son.

The film tells the story of a parrot who after being sold to traffickers of animals as a child at the time of Marcos Pérez Jiménez, passes from hand to hand all his life and changing its name depending on your business, while being observed before his eyes the evolution of Venezuela for 50 years (1950 to 2000).

In the corridors of a Caracas hospital, two very dissimilar beings meet by chance one night. Coming from very different worlds, anxiety is the only thing they have in common. One of them is Antonieta Sanchez, a single mother who has made ends meet for herself and her son, Odulio, by washing clothes and ironing. She knows she has lost her son a long time ago: Odulio is a young criminal. The night he was shot, Antonieta's life changed forever. The other is Benigno Robles, an assistant district attorney who, as a young law student, devoted his career with hope and deeply rooted ideals of justice. When Elisa, his only daughter, is hit by a stray bullet, Benigno will never be the same. But this encounter between Antonieta and Benigno, seemingly coincidental, is not: there is a secret that will eventually come to light