Johnny Mack Brown

This documentary traces the history of the B-Western from it's silent movie origins to its demise in the early 1950s. The film contains a large number of scenes from early silents and seldom seen films, as well as old photographs of the stars and one-sheet advertisements for lost films.

As the first "blonde bombshell," Mae West reigned supreme and changed the nation's view of women, sex and race — on stage, in films, on radio and television.

Host Jack Palance explores how Hollywood has depicted Western legends like George Armstrong Custer, Billy the Kid, Crazy Horse and the O.K. Corral

A Western-genre narrative, loosely woven from old clips from B-Western features.

A collection of film clips profiling animal actors.

Various stage coach passengers and outlaws travelling through Indian country are forced to join forces against the Apaches.

Willie Duggans, a tenderfoot from the east, arrives in the wild west and soon experiences its violence. Willie discovers the easy money in bounty killing and must choose between that violent lifestyle and the love of a beautiful saloon singer.

A gunfighter takes the identity of a murdered judge in order to avenge his death.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

Johnny Mack Brown was nearing the end of his starring career when he appeared in the Monogram oater Dead Man's Trail. Brown and his youthful sidekick Jimmy Ellison come to the aid of imperiled Barbara Allen. At this point, Johnny was too long in tooth and thick around the middle to qualify as a romantic lead, hence the presence of Ellison.