The Promised Land

Arnulfo is a man weaving baskets. Remedios has given birth in front of the house of a woman and her aid, but the village is spread the word that the child born as a child God and an atheist would think exploit to their advantage the "miracle ".

Mason defends a man he had sentenced to prison when he was an appellate-court judge. Now, 18 months after the sentencing, a new witness turns up to prove the man's innocence. Mason steps in to defend the man.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Somewhere near the Texas-Louisiana border, the CIA maintains a force of domestic assassins. So secret is their work that their retirement program is a bullet in the head. Up-and-coming hitwoman, Diana, gets the order to dispatch Mars, a legendary CIA killer who's reached "retirement" age. She stalks him while he's in the bush leading a training exercise for recruits. Her pushy boyfriend Rick, also a CIA operative, insists on coming with her. Behind the scenes, a power play within the agency pits Ted Harmon against section boss George Marshall.

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