Wedding Crashers

Set to the music of popular hit songs from the 1980s. A beautiful coastal village, present day Italy. After a whirlwind romance, Maddie is preparing to marry gorgeous Italian Raf, and has invited her sister Taylor to the wedding. Unbeknownst to Maddie, however, Raf is Taylor's ex-holiday flame, and the love of her life...

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

The scene is laid for a quiet little wedding. The guests are waiting for Fatty and an ancient maid to be made one. Fatty's rival appears and breaks up the wedding. A lemon meringue pie battle ensues, with the rival the victor. He carries the bride away. A most sensational and ludicrous finish is when he sees Fatty at the foot of a precipitous cliff. In a fit of rage he throws the bride from the top of the cliff at him, who lands unscathed in Fatty's arms.

Three sto­ries that explore love, com­mit­ment, and loy­al­ty between cou­ples and friends. "Two for Din­ner" where a mar­ried cou­ple tem­porar­i­ly liv­ing in two dif­fer­ent loca­tions are more sep­a­rat­ed than they think. "Sail­ing Les­son" about a long-mar­ried cou­ple who spend a day on a sail­boat rekin­dling their romance… and unex­pect­ed events arise. "Late Lunch" where a young woman who recent­ly lost her moth­er gath­ers togeth­er a group of her moth­er’s friends to share mem­o­ries, with sur­pris­ing rev­e­la­tions.

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.