

Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.
Director: Gregory Hoblit
Writers: Nicholas Kazan

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CinemaSerf
I must have watched this film three or four times now, and each time it takes me the first half hour to recall. It's an intriguing story rooted in Aramaic mythology but applied to 20th century Philade...

Jerry Bines is trying to live down a past that includes killing a man (in self-defence), theft and an alcoholic, abusive father. He sees hope for redemption by providing life-giving bone marrow to his leukemia-stricken son. But time is running out because an escaped killer (Gary Percy Rils) is coming to town to exact revenge for ancient sins. And like the old buck in a backwoods tale he spins for his kid, Bines must stop running and turn to face his hunter.

Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.

Teen skater Ken Park (nicknamed Krap Nek; his name spelled and pronounced backward) kills himself at a Visalia skate park; his death bookends the lives of four other young people who knew him: Shawn, the most conventional; Tate brims with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother; and Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.

Vera, Ray, and Sam, a seemingly normal family, are haunted by more than mere ghosts. The lingering horror of their past threatens their ability to function as a loving family until they become enlightened by a mystical encounter. From that moment on, they're thrust into a horror worse than anything they've ever experienced. Personal demons manifest and tear the family apart from the inside out as they come to terms with their past.

Rohan Kishibe is a mangaka who can read people like a book. At work on a new creation, Rohan recalls a tale of the blackest painting ever made. Called the most evil of paintings, it used a paint that should not exist. Driven by the events linked to it, Rohan and his editor, Izumi, go to the Louvre in France for answers.
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