

Arling, ringmaster of a small wagon circus, abuses Polly and her seven children. Foy, a farmhand, sympathizes with her and she decides to quit her place as trapeze woman in the show and get other work. She sends her brood to the poorhouse, and Foy, ignorant of her flock, makes love to her and is accepted.
Director: Edwin Frazee
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Young employee Devon meets with his superior Jack for a company mandated Wellbeing Assessment.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Francine, a brilliant 9-year-old girl who hates her mother's cooking, battles a robot version of herself for her life - and a slice of pizza.

Adio is a young man able to control a condition that causes his involuntary transformation into objects based on his emotions until he meets Sophie.

Introducing Hellarious: a once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur satanists, reverse werewolves, cannibal lunch ladies and more -- along with gust-busting gags, gross-outs and gore. Included in Hellarious: Lunch Ladies by Clarissa Jacobson and J.M. Logan, Horrific by Robert Boocheck (ABCs of Death 2), Death Metal by Chris McInroy, Born Again and ‘Til Death by Jason Tostevin and Randall Greenland, Killer Kart by James Feeney, and Bitten by Sarah K. Reimers.
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