FAMILY STORY

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Erkan changes his gender and become a transexual. The doorman of his apartment has a crush on Erkan's woman view. The doorman witnesses the argument between Erkan and two men. He finds out that that Erkan is originally a man under the attractive woman view. The doorman is frustrated.

A boy helps a convict to escape after meeting him at his mother's graveyard. The convict gets rich in Australia and when he returns is arrested again but released in the last moment after a dying convict confesses.

The possible consolation of losing someone is perhaps hope. After they grieve the death of their parents, Manong and Ading will once again suffer anguish because someone who is very dear to them goes missing. Due to their fear of losing another loved one, they go for a quest. Will they be successful in their search or will they be condemned to lose for another time?

Big Time, the visual counterpart to Angel Olsen's album of the same name, is the story of light versus shadow told through a non-linear surrealist dreamspace that poses one central dilemma. ‘What lengths must one go through to let go of the past in order to step out of the darkness and accept one’s true self?’ It’s a story that targets deep rooted complexities such as how our unconscious deals with repressed sexual identity, the hardships of letting go of our past selves in order to step into self actualization, and the guilt we hold when dealing with loss.