Three Sundays to Live

Dutch painter Jan-Van Rooyer hurries to keep a rendezvous with Jacqueline Cousteau, an elegant, sophisticated Frenchwoman, slightly his elder, whose relationship with him had turned from art student into one of love trysts. He arrives and is confronted by Detective Police Inspector Morgan who accuses him of having murdered Jacqueline. Morgan listens sceptically to the dazed denials of Van Rooyer as he tells the story of his relationship with the murdered woman. Morgan, after hearing the story, realizes that the mystery has deepened, and it becomes more complicated when the Assistant Commissioner, Sir Brian Lewis, explains that Jacqueline was not married but was being kept by Sir Howard Fenton, a high-ranking diplomat whose names must be kept out of the case.

A British psychiatrist devises a devilish revenge plot against his wife's lover.

Edward "Teddy" Bare is a ruthless schemer who thinks he's hit the big time when he kills his older wife, believing he will inherit a fortune. When things don't go according to plan, Teddy sets his sights on a new victim: wealthy widow Freda Jeffries. Unfortunately for the unscrupulous criminal, Freda is much more guarded and sassy than his last wife, making separating her from her money considerably more challenging.

John Cummings, an unsuccessful cosmetics salesman, has his unpaid-for car stolen by one of the hoods in the employ of Lionel Meadows, the sadistic organizer of a London car conversion racket. The car was not insured, and since the police appear indifferent to his plight, Cummings decides to find it himself -- and gets himself involved in an underworld battle.

Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.