

With this two-part feature documentary, Shlomi Elkabetz shares a poignant love letter to his sister, the late actress and director Ronit Elkabetz, and delivers a rare cinematic experience.
Director: Shlomi Elkabetz
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Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

"If all these cameras start talking to you.." A short documentary on a vintage camera museum, established by an archivist and photographer Mr. Aditya Arya

A movie director attemps to film the way he writes a screenplay.

"Double Quotes" delves into a filmmaker's journey of self-discovery as he navigates through the intricacies of India's Constitution, uncovering the absence of a definition for "untouchability" in Article 17. Through encounters with legal experts and introspective reflections, the documentary explores the implications of this omission on societal perceptions and the persistent challenges of caste-based discrimination.

In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
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