War Game

Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.

A camera tracks through endless rooms while lives unfold.

José Alberto seems condemned to wander through the countryside like a lost soul since the moment of his beloved's untimely death. Until one day, nature conspires to remind him of his torturous past. It takes strength to uncover the mystery that resides within him, and perhaps, to finally break free from living chained to melancholy.

The unlikely friendship of a boy, a mole, a fox and a horse traveling together in the boy's search for home.

The Christmas tree isn't the only thing green in this new holiday classic. Shrek is back and trying to get into the spirit of the season. After promising Fiona and the kids a Christmas they'll remember, he is forced to take a crash course in the holiday. But just when he thinks he has everything for their quiet family Christmas just right, there is a knock at the door.