Cocaine Bear

What are we talking about when we talk about negotiations? About the state's concessions to the Mafia in exchange for ending the massacres? About who assassinated Falcone and Borsellino? Of the eternal coexistence between the Mafia and politics? Between the mafia and the church? Between the Mafia and law enforcement? Or is there more? A group of actors enacts the most relevant episodes of the affair known as the Mafia-state negotiation, impersonating mobsters, secret service agents, high officials, magistrates, victims and murderers, Freemasons, honest and courageous people, and courageous people up to a point. Thus one of the most intricate events in our history becomes an exciting tale.

A woman's elaborate manoeuvre to get her husband out of bed.

From Mona Lisa to Brigitte Bardot, artistic representation and perception of women is often shaped by traditional role models. In tongue-in-cheek fashion, director May Spils unmasks these dyed-in-the-wool structures and plays a young woman who can only fail in her attempt to paint a self-portrait.

In the city of São Paulo, the routine of gravedigger apprentice Deodato changes when a new working girl arrives at the cemetery. Together, they must re-register the abandoned tombs, but strange events make the apprentice wonder about the consequences of messing with the dead.

This film is based on the controversial case of real life on the murder of the student from Santa Rosa Catholic University by a country famed psychiatrist. The story then begins when a young woman named Sofía Méndez Contreras was found dead. The detectives Daniel Estevez and Eduardo Chacón will begin a hard investigation to catch the suspect of the crime; the first suspect is an important and renowned psychiatrist, called Elías Aponte. The only incriminating evidence is the written of the victim in her personal diary and blog online. The detectives must appeal their knowledge to determinate if the victims notes are real or just a fantasy created by a psychiatric patient.