The Fleshtones: Pardon Us for Living But the Graveyard Is Full

An electric transition. The void left by a vice disguised as false promise to escape, is reclaimed by a new frequency, louder, colder, more transcending: C.R.Y.S.T.A.L. (Cognitive Rupture Yielding Synthetic Trance and Luminality). Through a synesthesia of stroboscopic light and sound pulses that pierce the viewer's consciousness, this short film is a sensorial trance that documents the disintegration of an individual. There's no narrative, only the vibration of a substance that reprograms the body until light is the only thing left within them. A feedback loop where the flash is, at the same time, consumption and the end of being.

After fifteen years of unconventionally kinetic stage antics (sometimes involving fire breathing, on-stage raffles, and a guy named "Dirty" who was essentially the band's resident cheerleader), the band gave their bittersweet farewell performance for an army of costume-clad fans - some of which even flew in from other countries - on their favorite day of the year to perform, Halloween. And here you have it, the band's final live performance from San Diego's Westin Hotel Ballroom, marking the end of an era and the affirmation of their cemented presence in the slightly emptier world of rock n' roll. Filmed Oct. 31st 2005 in San Diego, CA.

An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.

The rock-wild youth of the 1960s during the apparitions of their idols.

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