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Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.
Director: Jim Strouse
Writers: Jim Strouse, Andrea Wilson, Malte Welding
CinemaSerf
Now I don't know about you, but if I started to get text messages from an unknown number that were emotionally revealing in nature, I think that I would politely inform the sender that they'd got a wr...
Ulrik Torp, once a fearless investigative journalist who is now tackling unemployment and a midlife crisis. He finds himself in the middle of a new political conspiracy.
A mother struggles to make a better life for her daughter.
No description available for this movie.
Lori Saint-Just, a master jeweler shattered by his wife’s death, relocates and becomes obsessed with Cona, a prostitute who first entices then rebuffs him. Driven to possess her, he robs and accidentally kills his benefactor to inherit a $30 billion fortune, gives Cona a replica necklace, and she enacts a staged murder-suicide to destroy them both while sparing him guilt.
Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.
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