

A single day: from the tender break of dawn to the darkest night. One out of many days to come? Quite possibly the very last. A long farewell, an ultimate goodbye to a life we have grown to hold dear. Leading to a head-on dive into a new reality, into a new state of being. To long for the unknown. To desire to be at the mercy of chance. Last caresses in solidarity, last minutes in shelter. End means beginning. Death becomes birth. From water, back into water. From gas to solid. Everything is commenced by woman, everything ends with a woman.
Director: Ioan Gavriel, Anja Plaschg
Writers: Ioan Gavriel, Anja Plaschg, Lenz Mosbacher
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Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.

Cross-dressed as a man, the young scholar did not anticipate catching the eye of a beautiful courtesan, nor the bond that they form together. But will her long-standing deception create a rift between the two of them?

No description available for this movie.

A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.
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