Locust Lane

A tribute to Mallarmé that not only asserts the continuing relevance of his work but also confronts its literary ambiguities with political and cinematic ambiguities of its own. In outline, the film could not be more straightforward: it offers a recitation of one of Mallarmé’s most celebrated and complex poems (it was his last published work in his own lifetime, appearing in 1897, a year before his death) and proposes a cinematic equivalent for the author’s original experiment with typography and layout by assigning the words to nine different speakers, separating each speaker from the other as she or he speaks, and using slight pauses to correspond with white spaces on the original page.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Using a faceless doll criminal reenacts a brutal crime. But surprisingly he is not the one being judged. There seems to be an odd one out in the investigative group. The film premiered in the Berlinale Short competition programme.

The car repair shop is their second home and their colleagues are like family. Everyone has their quirks and is accepted for the way they are. But then comes the bad news: they are soon to be squeezed out by a more lucrative new building project.

A film about a girl drawn to a golf course.