

Big Steve and Little Lefty, a pair of hobos, are happily drifting through life until the First World War comes and enter it and find their lives forever changed.
Director: J. Stuart Blackton
Writers: Anthony Paul Kelly
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Ruth and her father stay at an inn run by the malicious Scroogles. The Scroogles rob Ruth's father, throw his seemingly dead body over a cliff, and deny he was ever there when Ruth asks. Ruth seeks help from artist Richard Foster. Together, they find evidence, confront the Scroogles, leading to a struggle where Mr. Scroogles accidentally kills his wife before being shot and dying himself. Ruth and Foster (now engaged) find her father alive but dazed; he recovers, and adopts a mistreated girl from the inn. The traumatic "empty room" incident leaves a lasting impression on Ruth.

Princeton Hadley feels obligated to pay alimony to Judith, the widow of his deceased friend Billy Westover, due to favors Billy had done for him in the past, even though the law doesn't require it. Billy had lost his fortune and was recently divorced from Judith before his untimely death in an accident. Princeton later meets Judith, unaware of her identity, and falls in love with her.

War buddies Whitey and Skeeter have become safecrackers. On a job, Skeeter is surprised by the police and killed. Later Whitey discovers that the lowlife Mal is the police informer responsible for Skeeter's death. Whitey sets out to find his moll Kitty, hearing she has gone to the country to find peace and quiet he finds her in a small town. She is involved with bank clerk Fred Morton, so Whitey pretends he has found someone else too. When Mal arrives in town as the advance man for a con and he pursues Skeeter’s sister Evelyn, Kitty tells the story of her own criminal past to save her. Fred drops her, and Kitty tries to drown herself in the river. Whitey saves her life and exposes Fred as an embezzler.

A recently widowed and destitute young mother (Jane Novak) appeals to her wealthy and heartless father-in-law (Robert Edeson) for financial aid. Instead, he convinces her to hand over her new baby to his care so that the child will be brought up with "everything money can buy." Unbeknownst to the grandfather, we learn that there are twin sons and our heroine keeps one baby to raise herself. The narrative jumps ahead to the boy's twenty-first birthday and we see what's become of them. Not surprisingly, the wealthy son has grown up spoiled and greedy while the poor one works hard and loves his mother.

A woman with a taste for expensive clothing has four nightmares. An impoverished disabled girl sells her hair, a trapper finds he has an unfaithful wife, the wife of a dying weaver finds she cannot work the loom, and a model harassed by her boss is driven to murder.
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