Douze Points

In a small rural Australian town in 2004, two teenage outcasts come into conflict with their families on the night Ruslana wins the Eurovision Song Contest for Ukraine. 17-year-old Todd faces awkward and unsubtle probing from his family about his sexuality, specifically whether or not he will take a girl to the upcoming school dance. Across town, Lesia Lysenko, the only girl from an immigrant family at Todd's conservative, Catholic High School, clashes with her strict, Ukrainian father, who insists that Lesia take her younger brother to chaperone her to that same school dance. As Lesia experiments with a newfound sense of rebellion, Todd is asked out by a clueless, smitten girl with a pet hate of pop music. He practises the dance moves from Ruslana's song in his family's tool shed and hatches a secret plan to get the song played at the disco. The film moves towards its fabulous, genuinely heartwarming climax as Lesia and Todd learn that life begins when you dance to your own beat.

Two small-town singers chase their pop star dreams at a global music competition, where high stakes, scheming rivals and onstage mishaps test their bond.

Famous South Yorkshire artist John Shuttleworth enters a song for Europe, aided and abetted by his impresario manager Ken Worthington in this spoof.

In a pseudo-futuristic 1994, a square couple enter the corrupt world of the music industry, and subsequently a maze of drugs, sex, and temptation.

Angus Deayton trawls the archives to re-live the unusual outfits, never-to-be-repeated dance moves and strange songs that make the Eurovision Song Contest an annual peach in the television schedule.